{"id":824,"date":"2015-03-24T10:00:59","date_gmt":"2015-03-24T10:00:59","guid":{"rendered":"http:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/?p=824"},"modified":"2016-01-13T14:43:03","modified_gmt":"2016-01-13T19:43:03","slug":"historicism-yves-saint-laurent","status":"publish","type":"post","link":"https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/historicism-yves-saint-laurent\/","title":{"rendered":"Historicism: Yves Saint Laurent"},"content":{"rendered":"<p>Today we bring you an excerpt from our Special Exhibitions Gallery on Yves Saint Laurent + historicism:<\/p>\n<blockquote style=\"font-style:normal;\"><p>Historical pastiche was a key element of Yves Saint Laurent\u2019s work during the 1970s. He experimented repeatedly with styles of both the <em>Belle \u00c9poque<\/em> and the Interwar years. These pieces displayed his indebtedness to the legacies of Christian Dior and Gabrielle \u201cCoco\u201d Chanel. Dior\u2019s ultra-femininity, romanticism, and interest in volume re-emerge in Saint Laurent\u2019s homages to the <em>Belle \u00c9poque<\/em>, complete with full skirts and gigot sleeves.\n<\/p><\/blockquote>\n<p style=\"margin-top:24px;\"><div id=\"attachment_829\" style=\"width: 683px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-content\/uploads\/sites\/15\/2015\/03\/88.89.1_20140624_01_1024.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-829\" src=\"http:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-content\/uploads\/sites\/15\/2015\/03\/88.89.1_20140624_01_1024.jpg\" alt=\"Yves Saint Laurent, evening dress, green silk taffeta, 1972, France, 88.89.1,  gift of Mary Russell\" width=\"683\" height=\"1024\" class=\"size-full wp-image-829\" srcset=\"https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-content\/uploads\/sites\/15\/2015\/03\/88.89.1_20140624_01_1024.jpg 683w, https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-content\/uploads\/sites\/15\/2015\/03\/88.89.1_20140624_01_1024-200x300.jpg 200w, https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-content\/uploads\/sites\/15\/2015\/03\/88.89.1_20140624_01_1024-173x260.jpg 173w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/a><p id=\"caption-attachment-829\" class=\"wp-caption-text\">Yves Saint Laurent, evening dress, green silk taffeta, 1972, France, 88.89.1,  gift of Mary Russell<\/p><\/div>\n<\/p>\n<p style=\"margin-top:24px;\">In the <a href=\"http:\/\/yalebooks.com\/book\/9780300211511\/yves-saint-laurent-halston\" target=\"_blank\">book<\/a> accompanying the exhibition, curator Emma McClendon wrote that YSL&#8217;s historical influence spanned centuries: <\/p>\n<blockquote style=\"font-style:normal;\"><p>Some of his most dramatic historical homages looked back to the nineteenth century, and even further to Renaissance and Elizabethan periods. The period of the \u201cBelle \u00c9poque,\u201d late in the nineteenth-century in France, held a particular fascination for Saint Laurent through the writings of Marcel Proust. The designer often likened himself to the novelist and kept a quote from his famed text <em>\u00c0 la recherche du temps perdu<\/em> on his work desk.<\/p><\/blockquote>\n<p style=\"margin-top:24px;\"><div id=\"attachment_835\" style=\"width: 635px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-content\/uploads\/sites\/15\/2015\/03\/76.201.2_20140709_01_1024.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-835\" src=\"http:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-content\/uploads\/sites\/15\/2015\/03\/76.201.2_20140709_01_1024.jpg\" alt=\"Saint Laurent Rive Gauche  evening ensemble, color-blocked velveteen, 1970, France, 76.2012.2, gift of Mary Blume\" width=\"635\" height=\"1024\" class=\"size-full wp-image-835\" srcset=\"https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-content\/uploads\/sites\/15\/2015\/03\/76.201.2_20140709_01_1024.jpg 635w, https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-content\/uploads\/sites\/15\/2015\/03\/76.201.2_20140709_01_1024-186x300.jpg 186w, https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-content\/uploads\/sites\/15\/2015\/03\/76.201.2_20140709_01_1024-161x260.jpg 161w\" sizes=\"auto, (max-width: 635px) 100vw, 635px\" \/><\/a><p id=\"caption-attachment-835\" class=\"wp-caption-text\">Saint Laurent Rive Gauche  evening ensemble, color-blocked velveteen, 1970, France, 76.2012.2, gift of Mary Blume<\/p><\/div>\n<\/p>\n<p style=\"margin-top:24px;\">McClendon noted the tension between the contemporary and the historical in some of YSL&#8217;s historicist designs: <\/p>\n<blockquote style=\"font-style:normal;\"><p>This push-pull between pastiche and masquerade leant a unique quality to Yves Saint Laurent\u2019s historical work, which can be seen clearly in the Rive Gauche ensemble from 1970. With its fitted sleeves that billow out after the elbow, laced bodice, and use of velvet, this color-blocked look is an exercise in historical fantasy.<\/p><\/blockquote>\n<p style=\"margin-top:24px;\">For Saint Laurent, history provided inspiration from which to create some of his most provocative and memorable designs. As McClendon wrote, he used historical reference to &#8220;pull and meld multifaceted elements together to create a new form of the contemporary.&#8221;<\/p>\n<p style=\"margin-top:24px;\">\nFor more on YSL + historicism, be sure to read the essay in the <a href=\"http:\/\/yalebooks.com\/book\/9780300211511\/yves-saint-laurent-halston\" target=\"_blank\">companion book<\/em><\/a>. Love this post? Share it on social media with the links below, and tweet using #YSLhalston.\n<\/p>\n<p>-MM<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Today we bring you an excerpt from our Special Exhibitions Gallery on Yves Saint Laurent + historicism: Historical pastiche was a key element of Yves Saint Laurent\u2019s work during the 1970s. He experimented repeatedly with styles of both the Belle \u00c9poque and the Interwar years. These pieces displayed his indebtedness to the legacies of Christian [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-824","post","type-post","status-publish","format-standard","hentry","category-object-post"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-json\/wp\/v2\/posts\/824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-json\/wp\/v2\/comments?post=824"}],"version-history":[{"count":0,"href":"https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-json\/wp\/v2\/posts\/824\/revisions"}],"wp:attachment":[{"href":"https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-json\/wp\/v2\/media?parent=824"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-json\/wp\/v2\/categories?post=824"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/exhibitions.fitnyc.edu\/blog-ysl-halston\/wp-json\/wp\/v2\/tags?post=824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}