{"id":298,"date":"2015-02-06T16:08:33","date_gmt":"2015-02-06T16:08:33","guid":{"rendered":"http:\/\/exhibitions.fitnyc.edu\/lauren-bacall\/?page_id=298"},"modified":"2015-02-23T21:03:15","modified_gmt":"2015-02-23T21:03:15","slug":"stage-screen","status":"publish","type":"page","link":"https:\/\/exhibitions.fitnyc.edu\/lauren-bacall\/stage-screen\/","title":{"rendered":"Stage & Screen"},"content":{"rendered":"

\u201cLauren Bacall has such a style of her own that I found it difficult to impose a new style on her.\u201d <\/em><\/p>\n

– Theoni Aldredge, costume designer \u00a0<\/em><\/p>\n

Lauren Bacall was a celebrated actress whose audacious personality and unique fashion sense enhanced her professional appeal. She remained professionally active into her eighties, and continues to be spotlighted in the media as a symbol of timeless elegance and sartorial savvy.<\/p>\n

The following is a list of Bacall’s work on stage and screen.\u00a0 Titles in bold indicate roles that highlight Bacall’s relationship with fashion.<\/p>\n

\n

Filmography<\/b><\/span><\/h3>\n

1944<\/b>\u00a0\u00a0\u00a0 <\/b>To Have and Have Not<\/i><\/b>
\n1945\u00a0\u00a0\u00a0 Confidential Agent<\/i>
\n1946\u00a0\u00a0\u00a0 Two Guys from Milwaukee<\/i>
\n1946\u00a0\u00a0\u00a0 The Big Sleep<\/i> <\/i>
\n1947\u00a0\u00a0\u00a0 Dark Passage<\/i>\u00a0\u00a0 <\/i>
\n1948\u00a0\u00a0\u00a0 Key Largo<\/i> <\/i>
\n1950\u00a0\u00a0\u00a0 Young Man with a Horn<\/i>\u00a0\u00a0 <\/i> <\/i>
\n1950\u00a0\u00a0\u00a0 Bright Leaf<\/i> <\/i>
\n1953<\/b>\u00a0\u00a0\u00a0 <\/b>How to Marry a Millionaire<\/i><\/b>\u00a0\u00a0\u00a0\u00a0 <\/i><\/b>
\n1954\u00a0\u00a0\u00a0 A Woman\u2019s World<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n1955\u00a0\u00a0\u00a0 The Cobweb<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n1955\u00a0\u00a0\u00a0 Blood Alley<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n1956\u00a0\u00a0\u00a0 Written on the Wind<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n1957<\/b>\u00a0\u00a0\u00a0 <\/b>Designing Woman<\/i><\/b>
\n1958\u00a0\u00a0\u00a0 The Gift of Love<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n1959\u00a0\u00a0\u00a0 North West Frontier<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n1964\u00a0\u00a0\u00a0 Shock Treatment<\/i>
\n1964<\/b>\u00a0\u00a0\u00a0 <\/b>Sex and the Single Girl<\/i><\/b>\u00a0\u00a0\u00a0 <\/i><\/b>\u00a0\u00a0\u00a0\u00a0<\/i><\/b>
\n1966\u00a0\u00a0\u00a0 Harper<\/i><\/strong>
\n1984\u00a0\u00a0\u00a0 Murder on the Orient Express<\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n1976\u00a0\u00a0\u00a0 The Shootist<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0 <\/i>
\n1980\u00a0\u00a0\u00a0 Health<\/i>
\n<\/i>1981\u00a0\u00a0\u00a0 The Fan<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0 <\/i>
\n<\/i>1988\u00a0\u00a0\u00a0 Appointment with Death<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n<\/i>1988\u00a0\u00a0\u00a0 Mr. North<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0 <\/i>
\n<\/i>1988\u00a0\u00a0\u00a0 John Huston: The Man, the Movies, the Maverick<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n<\/i>1989\u00a0\u00a0\u00a0 The Tree of Hands<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n<\/i>1990\u00a0\u00a0\u00a0 Misery<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n<\/i>1991\u00a0\u00a0\u00a0 A Star for Two<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0 <\/i>
\n<\/i>1991\u00a0\u00a0\u00a0 All I Want for Christmas<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0 <\/i>
\n<\/i>1993\u00a0\u00a0\u00a0 The Portrait<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0 <\/i>
\n<\/i>1994<\/b>\u00a0\u00a0\u00a0 <\/b>Pr\u00eat-\u00e1-Porter<\/i><\/b>\u00a0\u00a0\u00a0 <\/i><\/b>\u00a0\u00a0\u00a0 <\/i><\/b>\u00a0\u00a0\u00a0 <\/i><\/b>\u00a0\u00a0\u00a0\u00a0<\/i><\/b>
\n<\/i>1995\u00a0\u00a0\u00a0 From the Mixed-Up Files of Mrs. Basil E. Frankweiler<\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n<\/i>1996\u00a0\u00a0\u00a0 The Mirror Has Two Faces<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n<\/i>1996\u00a0\u00a0\u00a0 My Fellow Americans<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0 <\/i>
\n<\/i>1997\u00a0\u00a0\u00a0 Day and Night<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n<\/i>1999\u00a0\u00a0\u00a0 Get Bruce<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0 <\/i>
\n<\/i>1999\u00a0\u00a0\u00a0 Madeline: Lost in Paris<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n<\/i>1999\u00a0\u00a0\u00a0 Diamonds<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0 <\/i>
\n<\/i>1999\u00a0\u00a0\u00a0 The Venice Project<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n<\/i>1999\u00a0\u00a0\u00a0 Presence of Mind<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n<\/i>2000\u00a0\u00a0\u00a0 A Conversation with Gregory Peck<\/i> <\/i>
\n<\/i>2003\u00a0\u00a0\u00a0 Gone Dark<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n<\/i>2003\u00a0\u00a0\u00a0 Dogville<\/i>
\n<\/i>2004\u00a0\u00a0\u00a0 Howl\u2019s Moving Castle<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n<\/i>2004\u00a0\u00a0\u00a0 Birth<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0 <\/i>
\n<\/i>2004\u00a0\u00a0\u00a0 Am\u00e1lia Tra\u00efda<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n<\/i>2005\u00a0\u00a0\u00a0 Manderlay<\/i>
\n<\/i>2006\u00a0\u00a0\u00a0 These Foolish Things <\/i>
\n<\/i>2007\u00a0\u00a0\u00a0 The Walker <\/i>
\n<\/i>2008\u00a0\u00a0\u00a0 Eve<\/i>
\n<\/i>2008\u00a0\u00a0\u00a0 Scooby-Doo and the Goblin King<\/i>
\n<\/i>2010\u00a0\u00a0\u00a0 Wide Blue Yonder<\/i>
\n<\/i>2010\u00a0\u00a0\u00a0 Firedog<\/i> <\/i>
\n<\/i>2012\u00a0\u00a0\u00a0 Ernest & Celestine<\/i>
\n<\/i>2012\u00a0\u00a0\u00a0 The Forger<\/i> <\/i>
\n<\/i><\/p>\n

 <\/p>\n

Theatrical Resume<\/b><\/span><\/h3>\n

1942\u00a0\u00a0\u00a0 Johnny 2×4<\/i>\u00a0\u00a0\u00a0 <\/i>
\n1942\u00a0\u00a0\u00a0 Franklin Street<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0 <\/i>
\n1959\u00a0\u00a0\u00a0 Goodbye Charlie<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n1965\u00a0\u00a0\u00a0 Cactus Flower<\/i><\/strong>\u00a0\u00a0<\/strong>\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n1970\u00a0\u00a0\u00a0 Applause<\/i>\u00a0\u00a0\u00a0 <\/i><\/strong>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>
\n1977\u00a0\u00a0\u00a0 Wonderful Town<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n1981\u00a0\u00a0\u00a0 Woman of the Year<\/i>\u00a0\u00a0\u00a0 <\/i><\/strong>\u00a0<\/strong>\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n1985\u00a0\u00a0\u00a0 Sweet Bird of Youth<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n1995\u00a0\u00a0\u00a0 The Visit<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0<\/i>
\n1999\u00a0\u00a0\u00a0 Waiting in the Wings<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0\u00a0 <\/i>
\n<\/i><\/p>\n

 <\/p>\n

Awards<\/b><\/span><\/h3>\n

1967 \u00a0\u00a0\u00a0 Hasty Pudding Woman of the Year
\n1970 \u00a0\u00a0\u00a0 Tony Award for Best Actress in a Musical, Applause<\/i>
\n1972 \u00a0\u00a0\u00a0 Sarah Siddons Award Actress of the Year
\n1980 \u00a0\u00a0\u00a0 National Book Award in the one-year category: Autobiography
\n1981 \u00a0\u00a0\u00a0 Tony Award for Best Actress in a Musical, Woman of the Year<\/i>
\n1984 \u00a0\u00a0\u00a0 Sarah Siddons Award Actress of the Year
\n1990 \u00a0\u00a0\u00a0 George Eastman Award
\n1992 \u00a0\u00a0\u00a0 Donostia Award (Honorary)
\n1993 \u00a0\u00a0\u00a0 Golden Globe – Cecil B. DeMille Award
\n1994\u00a0\u00a0\u00a0 National Board of Review Award for Best Cast, Pr\u00eat-\u00e0-Porter<\/i>
\n1996 \u00a0\u00a0\u00a0 Honorary C\u00e9sar
\n1997 \u00a0\u00a0\u00a0 Berlin International Film Festival, Berlinale Camera
\n1997 \u00a0\u00a0\u00a0 Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Supporting Role, The Mirror Has Two Faces<\/i>
\n1997 \u00a0\u00a0\u00a0 Golden Globe Award for Best Supporting Actress \u2013 Motion Picture, The Mirror Has Two Faces<\/i>
\n1997 \u00a0\u00a0\u00a0 San Diego Film Critics Society Award for Best Supporting Actress, The Mirror Has Two Faces<\/i>
\n1997\u00a0\u00a0\u00a0 Kennedy Center Honors
\n2000 \u00a0\u00a0\u00a0 Stockholm International Film Festival – Lifetime Achievement Award
\n2007 \u00a0\u00a0\u00a0 Norwegian International Film Festival – Lifetime Achievement Award
\n2009 \u00a0\u00a0\u00a0 Academy Honorary Award<\/p>\n

 <\/p>\n

 <\/p>\n

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\u201cLauren Bacall has such a style of her own that I found it difficult to impose a new style on her.\u201d – Theoni Aldredge, costume designer \u00a0 Lauren Bacall was a celebrated actress whose audacious personality and unique fashion sense enhanced her professional appeal. She remained professionally active into her eighties, and continues to be…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-298","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/exhibitions.fitnyc.edu\/lauren-bacall\/wp-json\/wp\/v2\/pages\/298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/exhibitions.fitnyc.edu\/lauren-bacall\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/exhibitions.fitnyc.edu\/lauren-bacall\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/exhibitions.fitnyc.edu\/lauren-bacall\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/exhibitions.fitnyc.edu\/lauren-bacall\/wp-json\/wp\/v2\/comments?post=298"}],"version-history":[{"count":0,"href":"https:\/\/exhibitions.fitnyc.edu\/lauren-bacall\/wp-json\/wp\/v2\/pages\/298\/revisions"}],"wp:attachment":[{"href":"https:\/\/exhibitions.fitnyc.edu\/lauren-bacall\/wp-json\/wp\/v2\/media?parent=298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}