Expedition: Fashion from the Extreme

September 15, 2017 – January 6, 2018

Posts in the Germany category

patricia-mears-headshotWritten by: Patricia Mears, deputy director of The Museum at FIT and lead curator of Expedition: Fashion from the Extreme.

This week’s Expedition blog illustrates the challenges that my colleagues, Liz Way and Ariele Elia, and I faced while charting a new topic in fashion history: the influence of expeditions on high style clothing. While there are a growing number of scholarly publications on both subjects, almost nothing exists on their overlapping histories. In addition, many books and articles contain information that is sometimes inaccurate and/or not fully detailed.

It has come to my attention, then, that there are inaccuracies in my essay for the companion book to the exhibition, also titled Expedition: Fashion from the Extreme. I am fortunate that this blog (published well after the submission of the Expedition texts to our publisher last year) gives us an opportunity correct any misinformation.

"Eddie’s down jackets and sleeping bags were so prized by the airmen stationed in Alaska during the World War II Aleutian Campaign that they were wagered in high-stakes poker games. When the U.S. Army Air Forces brass got wind of this, they asked Eddie to design a cold-weather flight suit for them. He built the B-9 Parka and A-8 Flight Pants, the U.S. military’s first down-insulated flight suit." Photograph courtesy of the Eddie Bauer Archives.

“Eddie’s down jackets and sleeping bags were so prized by the airmen stationed in Alaska during the World War II Aleutian Campaign that they were wagered in high-stakes poker games. When the U.S. Army Air Forces brass got wind of this, they asked Eddie to design a cold-weather flight suit for them. He built the B-9 Parka and A-8 Flight Pants, the U.S. military’s first down-insulated flight suit.” Photograph courtesy of the Eddie Bauer Archives.

Our colleague Colin Berg, the Eddie Bauer Brand Historian, has clarified the facts behind Eddie Bauer’s innovative, down-filled jacket. In the book, I document the creation and influence of this now ubiquitous coat, one that in recent years has been seen on the most prestigious high fashion runways. But a number of the details I cited were either incorrect or vague.

I thank Colin for helping me correct these errata.

Colin is the Brand Historian at Eddie Bauer, a position he’s held since 2007. As the historian and brand storyteller, he curates the company archives, conducts tours, and speaks at local museums and historical societies. He has also shared the company’s history at media events in New York and Munich, and will be traveling to Cologne, Germany this fall as part of the opening of an Eddie Bauer shop-in-shop. Colin’s background is as a writer; he has been a professional copywriter for 30 years.

For my essay, I relied primarily on a biography by Robert Spector – The Legend of Eddie Bauer, published in 1994 – as well as a magazine article Spector wrote about Bauer in the early 1990s. Ironically, this first edition of his book had a number of factual inaccuracies that were corrected in a second edition published seventeen years later. Colin notes that although the “inaccuracies do not change the fundamental story,” they “don’t jibe with the facts.”
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