Fashion and Celebrity
- By The Museum at FIT
- In Objects
- Tagged with André Courrèges Brigitte Bardot Catherine Deneuve Françoise Hardy Sylvie Vartan Yves Saint Laurent
- On 6 Mar | '2017
Brigitte Bardot’s impact on fashion was firmly established in 1959, when she married fellow actor Jacques Charrier in a full-skirted, pink gingham gown by Jacques Estérel. While the look of the dress itself was not innovative, the use of humble cotton fabric for a bridal gown flouted tradition. Only one month after her wedding, the New York Times reported, “You can’t buy a yard of checkered gingham in Paris, not even enough for kitchen curtains, since Brigitte picked the fabric for her wedding dress.”
Catherine Deneuve’s 1960s style was defined by her relationship with Yves Saint Laurent. She wore the designer’s clothing on- and off-screen, such as his original “le smoking” suit and a gown from his renowned “Pop Art” collection. She also owned some of Saint Laurent’s more subdued styles, including a navy wool pea coat with brass buttons from 1966. The Museum at FIT’s collection houses an example of this same design.
Françoise Hardy and Sylvie Vartan were associated with a musical genre known as yé-yé, which took its name from English-language songs that included the words “yeah, yeah, yeah” – most famously, the Beatles song “She Loves You.”
1966
Gift of Doris Strakosch
78.85.3
Similar to the way the term “mod” in England and the United States, yé-yé became used as a term to describe various aspects of French youth culture. Particular clothing styles were identified as yé-yé fashion, including trench coats, striped t-shirts, and flat, Mary Jane-style shoes. Two trench coats included in the Paris Refashioned exhibition – one from Saint Laurent Rive Gauche, the other from André Courrèges’s ready-to-wear line, Couture Future – were selected to represent an aspect of the yé-yé style.
Right: trench coat by Couture Future (André Courrèges), circa 1968
Photo by Eileen Costa. © 2017 The Museum at FIT