Photographs © Zach Hilty/BFA.com
Left: The Countess Greffulhe was a pioneering fundraiser for the arts and a great supporter of Diaghilev’s Ballets Russes. Leon Bakst’s brilliantly colored dance costumes and sets inspired both fashion and interior design. The Countess’s flowing robes and coats by Babani and Fortuny created a similarly exotic effect.
Coat, circa 1920
Printed and embroidered silk chiffon
GAL1964.20.18, gift of the Gramont family to the Palais Galliera
Right: After her daughter grew up, the Countess Greffulhe stopped wearing pink, which was associated with youth. However, she continued to wear green. The Japonism for which Babani was famous is exemplified by this green velvet evening coat with a kimono-like silhouette.
Evening coat, circa 1920
Silver lamé, black silk, emerald green velvet, black taffeta
GAL1964.20.16, gift of the Gramont family to the Palais Galliera
Proust’s Muse, The Countess Greffulhe
runs through January 7, 2016 at The Museum at FIT
This exhibition was developed by the Palais Galliera, Fashion Museum of the City of Paris, Paris Musées.